Latin American Music / Igor Stravinsky / Rockefeller Foundation / Heitor Villa-Lobos (1887-1959) / Musica Latinoamericana / Music and Critical Mass Media Reception / Recepción Crítica / Alberto Ginastera / CLAEM / Instituto Torcuato Di Tella / Music and Critical Mass Media Reception / Recepción Crítica / Alberto Ginastera / CLAEM / Instituto Torcuato Di Tella
Opera / Latin American Music / XXth century music / Censura / Luigi Nono / Music and Critical Mass Media Reception / Recepción Crítica / Onganía / Musica Argentina / Alberto Ginastera / CLAEM / Instituto Torcuato Di Tella / Music and Critical Mass Media Reception / Recepción Crítica / Onganía / Musica Argentina / Alberto Ginastera / CLAEM / Instituto Torcuato Di Tella
Social Representations / Latin American Music / XXth century music / Representaciones Sociales / Rockefeller Foundation / Musica Latinoamericana / Music and Critical Mass Media Reception / Recepción Crítica / Vanguardia / Música Electroacústica Latinoamericana / Alberto Ginastera / CLAEM / Instituto Torcuato Di Tella / XXth Century Latin American Music / Musica Latinoamericana / Music and Critical Mass Media Reception / Recepción Crítica / Vanguardia / Música Electroacústica Latinoamericana / Alberto Ginastera / CLAEM / Instituto Torcuato Di Tella / XXth Century Latin American Music